Some of Bolano's character portrayals, particularly of the vagabond poet or the female whore, border so close to cliche that they almost become terminally offensive after having read about them for several stories in a row. How many times do we have to hear about the neurotic with their aimless night wanderings(in and out of the watering holes and cheap motels)and meaningless screws?
Unlike when reading "2666" for the first time, where Bolano analyzes modern German literature like it never has been before, within a book of dead bodies and drug intake, the brief interludes in "Last Evenings" into little-known French surrealists and Chilean poets become tiring, as the reader becomes all too aware of Bolano's arching themes.
A lot can be forgiven, however, when it comes to Bolano's skill as a writer. He is one of the few who has the ability to be both elegant and brief. To cover the metaphysical within a brief sentence format. These are a few of the quotes from "Last Evenings":
"These shadows have a life of their own, says K. At first B thinks
nothing of her remark. But then he observes his shadows, or
perhaps it is hers, and for a moment that elongated silhouette
seems to be looking askance at him. It gives him a start. Then
all three or four of them are swallowed up by the shapeless dark."
(Days of 1978)
Or:
".....the human race suffering and laughing as it marches toward the
void"
(Vagabond in France and Belgium)
Finally:
"Well the secret story is the one we'll never know, although we're
living it from day to day, thinking we're alive, thinking we've got it
all under control and the stuff we overlook doesn't matter. But
every single damn thing matters! Only we don't realize. We just
tell ourselves that art runs on one track and life, our lives on
another, and we don't realize that's a lie."
(Dentist)
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